Organized by what you're in the mood for, not by genre labels that rarely help anyone find what they want. Every book here is the kind that people finish in two days and immediately want to talk to someone about.
Our top picks
- Top pickAll the Light We Cannot See — Anthony Doerr~$12
- Best budgetGone Girl — Gillian Flynn~$9
If you want to lose track of time completely
The kind of book that makes you miss your stop. You need: a propulsive plot, characters you actually care about, and stakes that feel real. These are the ones:
- All the Light We Cannot See — Anthony Doerr. WWII France and Germany, two parallel stories converging. Won the Pulitzer. Deserved it. Everyone is right about this one.
- A Little Life — Hanya Yanagihara. The most emotionally devastating novel of the past decade. Not easy. Not forgettable. Not for everyone — but for the people it's for, it's the book.
- Lessons in Chemistry — Bonnie Garmus. Funny, feminist, fast. A 1960s chemist who becomes a cooking show host. Sounds odd, works perfectly.
Pulitzer Prize-winning WWII novel. Two parallel stories — a French girl and a German boy — converging in Saint-Malo. Beautiful, devastating, essential.
~$12
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If you want something smart and dark
Literary fiction with an edge. Psychological depth. Usually some kind of unreliable narrator or moral ambiguity:
- Gone Girl — Gillian Flynn. The twist still works even when you know it's coming. The writing is sharper than it gets credit for.
- The Secret History — Donna Tartt. Inverted mystery — you know who dies in the first chapter; the whole book is about why and how. Devastating in the best way.
- Trust — Hernan Diaz. Four nested narratives, each contradicting the one before. Won the Pulitzer. The cleverest structure in recent fiction.
The original domestic thriller. Smart, dark, feminist in a way most mainstream thrillers aren't. Still holds up. Still has the best ending.
~$9
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If you want to feel things
Books where the point is emotional resonance rather than plot mechanics:
- The Kite Runner — Khaled Hosseini. You know what happens. You'll cry anyway. Every time.
- Normal People — Sally Rooney. Two Irish students, on and off over years. Perfectly observed intimacy and the specific loneliness of young adulthood.
- Pachinko — Min Jin Lee. Four generations of a Korean family, Japan, identity, sacrifice. Epic in scope, intimate in execution.
Four generations of a Korean family in Japan. Epic, intimate, emotionally precise. One of the most important American novels of the past decade.
~$12
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If you want something short you'll finish in a weekend
- Of Mice and Men — Steinbeck. 100 pages. Will wreck you.
- The Stranger — Camus. 125 pages. Essential existentialism in the most readable possible form.
- Convenience Store Woman — Sayaka Murata. Translated from Japanese. 160 pages. Weird, funny, quietly sad. Completely original.