Short stories are the format for people who say they don't have time to read. Not because they're easier — they're often harder to write, and harder to shake once they've landed — but because they fit into the actual shape of a modern day. A commute. A lunch break. The twenty minutes before your eyes give up at night. You finish something. That matters more than most people realize.
The novel has a built-in disadvantage: momentum. If you don't read it for two weeks, you've lost the thread. A short story collection doesn't punish you for a busy month. You can pick it up cold, read one story in fifteen minutes, and feel genuinely satisfied. There's a complete arc, a character whose name you remember, an image that stays with you through your workday.
Ted Chiang publishes at a rate of roughly one story per year and each one remakes how you think about something you thought you already understood. Language. Free will. Memory. He's not interested in spaceships — he's interested in ideas taken to their honest logical ends, and the humans who have to live inside them. Stories of Your Life and Others contains the story that became the film Arrival.

Carmen Maria Machado's debut collection arrived in 2017 as the kind of book that people describe as "I've never read anything like it." These are horror stories, fairy tales, and literary fiction occupying the same sentences. They are about women's bodies, desire, fear, and the ways in which the world makes women feel small. They are also formally inventive in ways that pay off rather than just showing off.

Raymond Carver writes about working-class Americans with a prose style stripped to the bone. There is no fat. Every word is load-bearing. The effect is a kind of compression that makes each story feel larger than its page count. Where I'm Calling From is the best single-volume introduction to his work.

Denis Johnson's Jesus' Son is eleven linked stories narrated by a young drifter — unnamed, unreliable, high for much of it. It's also funny in a way that catches you off guard, and shot through with moments of startling grace. About 160 pages, reads in a single sitting.

Curtis Sittenfeld's You Think It, I'll Say It is an argument that she should be taken seriously as a story writer. These are stories about the social anxieties of contemporary middle-class American life — the things people think but don't say, the small moments of cruelty and recognition that define how we actually relate to each other. Highly readable, deceptively smart.

Ted Chiang's Stories of Your Life and Others is the easiest strong recommendation. If you've seen the film Arrival, the title story is what the film is based on, and reading it will reframe the film entirely. If literary fiction is more your speed, start with Carver's Where I'm Calling From — "Cathedral" is the first story and one of the best short stories ever written in English.
Most collections here run 150–300 pages, with individual stories between 10 and 40 pages. At a relaxed pace, a single story takes 15–30 minutes. Reading one story a day, you'll finish any of these in two to three weeks.
Most story collections are designed to be read front to back. That said, none of these will punish you for dipping in. If you're curious about a specific story, just read it. Short fiction is uniquely forgiving this way.
Genre fiction readers tend to click most with Ted Chiang — the ideas are big and legible even when the prose is literary. Literary fiction readers often gravitate toward Carver or Machado first. Curtis Sittenfeld sits squarely in the literary lane. Denis Johnson is a genre of one.
All of these are widely held by public libraries — most major systems carry physical copies, and several are available as ebooks through Libby/OverDrive. If you're not sure whether short story collections are for you, borrow first.
Carver's Where I'm Calling From is the safe bet for almost any adult reader — it's a classic, it signals you know something about books. For a reader who loves sharp contemporary fiction, Sittenfeld's You Think It, I'll Say It wraps up beautifully.